Star Trek TOS, Greg Jein, Hero Full Metal 20 PART Package, with Spinner Metal Nozzle. Designed for easy Diamond Select / Art Asylum refits. Now Includes a Mirror Polished Lock-Plate and, Machined Trigger and, Bourns Replica Ten-Turn Top-Dial. The nozzle is a recreation of the Greg Jein owned Hero nozzle as seen on display all over the internet. See my photos & do some web surfing. This recreation was carefully copied paying special attention to the front nose radius and, knurl height, an exacting copy to move up from Screen Accurate to Set Accurate in detail and quality. NO PHASER SHELL/PHASER PROP IS A PART OF THIS SALE, JUST THE METAL KIT PARTS. Works Great with LED modifications and static resin bodies too. No Phaser Included in sale. No Cast Prop-Metal parts in this listing aka… R98 Pewter of ; 98% Tin & Bismuth & Copper. Three part Spinner-Nozzle just like the Greg Jein Hero Set-Used version. All parts are machined aluminum or are otherwise, stamped aluminum where indicated, brass parts are real solid brass. Crispy is 1 ” x 1.30 ” stamped aluminum 32 gauge foil in exact match to a John Long pattern. Modification of the Toy Phaser or or other prop/laser-prop, such as fiberglass or resin, is most likely required. Package includes one of each as listed below. Multiples shown in photographs so you can see multiple views but you get just one of each. Phaser & Display are for reference and not included. You are the prop builder and you do the fitting! There are other Package-Deals listed for: (a) P1 s, (b) Shanko Laser Rifles, (c) Non-Laser Hero Packages, (d) Midgrade Packages, (e) and more… To return-here to this parts package page OR, better yet save a parts package in your Cart for a checkout later on. The package includes ONE EACH OF THE items in the. And, MOST specifically as listed below. VIEW ALL 20 KIT-INCLUDED PARTS, WITH ADDITIONAL SPECIFICATIONS HERE. ONE THREE PART GREG JEIN STYLE SPINNER NOZZLE AS SHOWN. MACHINED, NOT A CAST PART. ONE SOLID BRASS P1 RELEASE PIN. ONE TWO-PART BOURNS REPLICA 10 TURN TOP DIAL AND CLOVER. ONE PAIR OF P1 SIDE RAILS AS PICTURED. ONE RED GUILLOCHE RED POWER JEWEL IN COIN EDGE BEZEL. ONE P1 TRIGGER BUTTON. ONE P1 CRISPY PRECISION STAMPED IN 32 GAUGE ALUMINUM. ONE P1 BRASS PRECISION MACHINED EMITTER TUBE. ONE MIRROR POLISHED ALUMINUM LOCK-PLATE. THREE PART, MACHINED ALUMINUM, BRASS SCREW AND NUT, FOR PROP OR LASER-PROP USE. METAL PARTS; Prior to use, all Metal Parts MUST be cleaned to remove machine coolant residue. RESIDUE IS NOT VISIBLE AND DOES NOT FEEL OILY, BUT IT IS THERE! Use dish-washing detergent such as Dawn or Palmolive to insure a clean part. Some Star Trek Prop History For Inquiring Minds. Most of these Prop Makers and Technicians have passed-on. Below are old-timer accounts of convention conversations before conventions were really a fad. (all these are therefore 2nd hand stories). The persons quoted worked for; Desilu and NBCT®, Gene R. And later ParamountT®, (today known as “Paramount +” T® and CBS T®). Was a very well known Star Trek TOS prop collector and authority. (born October 31, 1945 in Los Angeles, USA; died May 22, 2022 in Los Angeles). He had personal friendships with all the listed Star Trek TOS production prop craftsmen. Bob Stone, James Rugg, Richard Heimer, John Dwyer, and Mr. Greg was an acquaintance of mine (Jon-Paul L), and generously took the time to meet me in California on several occasions, beginning in 2018 right through 2021. He shall be missed. Was a filming model designer who, starting in the 1970s’, created miniatures for use in the special effects portions of many films and television series. Jein was nominated for an. Academy Award for Best Visual Effects for “Close Encounters of the Third Kind”. (1977) and, nominated for an Outstanding Special Visual Effects Emmy for “Angels in America” (1979). In the 1970s’ Greg worked onTV productions such as “Wonder Woman”, and “The UFO Incident”. Jein then went on to work on Spielberg’s film “1941”, where he and his team constructed a number of models including a twelve-foot model of the Ferris wheel that’s dislodged from its mount and rolls down the pier and into the water. For their work on “1941” Jein, William A. Flowers were again nominated for an Academy Award for Best Visual Effects. Then in the 1980’s Greg Jein was invited to work on. “Star Trek: The Motion Picture”. Building planetary models for Spock’s spacewalk scene and the interior of the V’Ger craft. Jein continued his association with Star Trek Films, building alien weapons for. “Star Trek V The Final Frontier”. Starfleet helmets for the assassination scene in. “Star Trek VI The Undiscovered Country”. “Star Trek The Next Generation”. Jein and a team at Industrial Light & Magic (ALM) built the original six-foot model of the USS Enterprise (NCC-1701-D), the Ferengi Marauder starship and, the Klingon Vor’cha. BACK TO STAR TREK TOS 1966 THRU 1969. Was Star Trek’s machinist and made all the metal prop parts for all three seasons of the show. Parts were made to order for each episode as in those times (the 1960’s) as machining was done by hand and there was no advantage to making short runs (and no studio funding either). Each episode had a specific budget. Speaking of budgets, Bob relied on his Star Trek friend. According to Bob there was no magic drum of Phaser Nozzles and every job was a mad-dash to meet the filming deadlines. Because parts were made only to order, parts varied quite a bit. These variations can be seen in all the surviving examples of TOS hand props from Phaser to Communicators and Tricorders. Sometimes it was not that a new design was needed but rather that when one Wings it from a sketch, in a hurry using what is on-hand, you get an unintended-new-version of something (in the 1960’s the TV audience never could see that). Robert Archer and Bob Stone worked closely together so when the show was canceled suddenly in season three, Robert Archer ended up with a nice collection of hand props. Made the molds for hand props. He also did all the casting and forming. This included; Vacuum form bucks, Fiberglass molds and urethane molds. Again, according to him most work is done in the normal Hollywood maddening rush. He shared with his convention friends that there were many molds made from molds when the production schedule demanded this. He also shared that when the show ended he rescued the molds from being discarded by putting them in his garage. 1919 was the director of special effects for the show. He handled and repaired many of the props on-set. When the show was canceled in season three he rescued many hand props and even some models from the scrap heap. Dick Ruben, Prop & Art Assistant on the show, got his Set-Used Klingon disruptor from James. Ruggs held on to his rather large Star Trek collection for many years. It is widely known that Greg Jein got his Holy-Grail Hero Phaser from James. In closing a nod to. A prop technician, who reported that he repaired some hand props hundreds of times as they were often damaged during filming. He had also shared that the fiberglass Mid-Grade’s, and some other props often used basswood strips between the seams to establish uniform dimensions. Star Trek TOS bloopers to see what he was talking about when it comes to repairs and hand props flying apart. All scanning, uploading, and distribution of the content of this web posting without permission is theft of the author’s Intellectual Property. 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